![]() 1 Tag Analyse _gat Diese Cookies werden von Google Universal Analytics installiert, um die Anforderungsrate zu drosseln und die Datenerfassung auf Websites mit hohem Datenverkehr zu begrenzen. Die gesammelten Daten, einschließlich der Anzahl der Besucher, der Quelle, aus der sie stammen, und der Seiten, die in anonymer Form angezeigt werden. Das Cookie wird verwendet, um Informationen darüber zu speichern, wie Besucher eine Website nutzen, und hilft bei der Erstellung eines Analyseberichts über die Funktionsweise der Website. 2 Jahre Analyse _gid Dieses Cookie wird von Google Analytics installiert. Die Cookies speichern Informationen anonym und weisen eine zufällig generierte Nummer zu, um eindeutige Besucher zu identifizieren. Das Cookie wird verwendet, um Besucher-, Sitzungs- und Kampagnendaten zu berechnen und die Nutzung der Website für den Analysebericht der Website zu verfolgen. "Working in a Coal Mine" actually sounds like Skifs is emulating Kenny Rogers, and new wave band Someone & the Somebodies did it much better on their Bops on the Head EP, leaving the listener asking the 64,000 dollar question, "What's the point?" Still, "Hooked on a Feeling" is classic camp, so they get to be a rock & roll footnote.Google Ireland Limited, Google Building Gordon House, 4 Barrow St, Dublin, D04 E5W5, IrlandĬookieBeschreibungDauerType _ga Dieses Cookie wird von Google Analytics installiert. Miller dueting on the cover of the First Edition's "Something's Burning." Bjorn Skifs might be able to sing on key more accurately than Kenny Rogers, but he isn't anywhere near as entertaining. The big problem with the album Hooked on a Feeling is that they didn't have Mrs. ![]() Miller was fun for ten minutes, and at least Nancy Sinatra and Sonny Bono had some sense of style. Hooked on a Feeling is a song which many of us in the 21 st century became familiar with via its usage in Guardians of Galaxy, as utilized on one of the film’s trailers as well as a very memorable scene within the movie itself. This is a parody record, but the joke's on Blue Swede because they bastardize important music and tanked their thankfully brief career in the process. Instead, they ripped Reed's "Rock & Roll" to shreds on the next album, and tinker with Burt Bacharach and Hal David so poorly here it is beyond travesty. Had they gone after "I Can Feel You" by the Addrisi Brothers and maybe "Sunday Morning" by Lou Reed, adding a hip and serious face, they would have been as cherished a memory as "Venus" by the Shocking Blue is. ![]() Side two is all covers: They take on Jose Feliciano Kenny Rogers & the First Edition by way of Mac Davis Lee Dorsey by way of Allan Toussaint Dionne Warwick and, of course, their other Top Ten, the dreadful re-working of the Addrisi Brothers' "Never My Love." The Association must have cringed, or laughed hardily, but had this group hired a consultant to give them a hip wardrobe and sense of musical style, they could have done some real chart damage. The Savage Rose and Brainbox were at least being themselves, Europeans staking their claim to a piece of the rock pie. They were trying too hard to be an American group. The group also provides evidence why Abba and Bowie became so popular while Blue Swede faded out of the picture rather quickly. It is so totally different from the other originals on side one that the band surprises with sparks of creativity - chameleon moves that give a hint they could have been capable of more. Watch the video for Hooked On A Feeling from Jonathan Kings Jonathan King - Combined 60s/70s Singles Sales Over 40 Million for free, and see the artwork. "Gotta Have Your Love" doesn't work, but what is intriguing is "Lonely Sunday Afternoon," a strange blend of Sonny Bono meets Lee Hazelwood on the other side of the world. Lead singer Bjorn Skifs collaborates with producer Bengt Palmers (he changed his name to Ben Palmers for the next disc) on a strange attempt at the Philly sound. This album is definitely bizarre, more so than the follow-up Out of the Blue, for this made-in-Sweden record shows what happens when someone other than David Bowie is copping the riffs. Should they have quit after this? Absolutely. Thomas hit is that - no, it isn't as sublime as the original, but for a novelty hit, it works. The significance of their rip of Jonathan King's arrangement of the B.J.
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